Oscar Wilde's 172nd birthday today.
So today would have marked a very significant birthday in classical literary circles. For today Oscar Wilde would have been celebrating his 172nd birthday and he may well have seen the funny side of any recognition of his prodigious talents. The life and times of Wilde have been heavily documented and, to those who may have thought him so cruelly misunderstood as an author, this may not be the time to dwell on his private life, the life of a tortured soul who never really came to terms with his homosexuality.
Born in the poetic city of Dublin, Wilde rapidly raided the local libraries for more and more information about not only his background and family ancestry but the joys of Victorian literature and purple prose. There is still a vast cross section of the literary community who hold Wilde in such high esteem that it does seem a crying shame that Wilde was hounded, ridiculed and lampooned for some of his more outrageous antics.
Of course Wilde was a gifted poet, playwright, short story writer and the most brazen of all exhibitionists. Wilde loved to be in the esteemed company of his literary contemporaries, showing off his extraordinary talent for writing and a penchant for the unusual, unconventional and unorthodox. He could never be remotely considered as dull for Wilde played to the gallery, drinking, carousing and cavorting the night away, a bon viveur, elegant raconteur, vivid and vivacious story teller, boisterous host at wild parties and then scandalising the world around him with even greater acts of excess and debauchery.
And yet Oscar Wilde will sadly be remembered for all the wrong reasons. He was vilified and stigmatised as both gay, a dandy, a rebellious law breaker, and a convict who did time in a prison he might have thought to be the lowest point in his life. Society and most of the national newspapers were so terrifyingly unforgiving that perhaps Wilde had every right to feel both persecuted and victimised by those who simply had no time for him.
In the Ballad of Reading Gaol, Wilde describes all of that pain and suffering, the sense of being an outsider, a pariah, a parvenu, somebody who never really felt loved and respected by his reading public. Of course Wilde was a genius, a writer of outstanding gifts and there was an inherent belief that the written word was both true and honest and that a command of language and grammar had to be admired. Which indeed it was.
But it was the Picture of Dorian Gray that launched him to the highest plateau of literary excellence, a masterwork of purity and tenderness, possibly autobiographical but nonetheless aesthetically pleasing. Here Wilde gazed into the mirror of his soul and saw nothing but confusion and a loss of identity. Of course Wilde saw the younger image of himself and, quite positively loathed what had become of him in the present day.
Some of us would loved to have been a fly on the wall in those august literary salons from the late Victorian period when gossip was both fruity and malicious. What did Wilde think of William Yeats or George Bernard Shaw, fellow Irishmen who could spin a yarn with consummate ease? Did he really think that only the Irish could write sweet and honeyed verse and stanza, only the Irish had the wit, humour, badinage and bonhomie to charm the socks off everybody they met? Wilde was somehow the poster boy, the respectable role model whose gift for phraseology was matchless.
In years to come we'll look back on today and remain awe struck at both the ornateness and simplicity of Oscar Wilde's writing. We may care not to recall his lewd excesses, the Bosie and Marquis of Queensbury shock, horror story but most of us can really appreciate the flamboyance of his personality because the rest of his literary masters were also burning the candle at both ends. They didn't give a damn, not two hoots about the consequences of their own actions because they were having far too much of a good time to care for a second.
We acknowledge the profundity of De Profundis because it was thought provoking and philosophical. Wilde's vast repertoire of plays and comedies are legendary. The Importance of Being Earnest has been shown so many times on the stage that some can almost memorise every line without thinking. The Importance of Being Earnest was essentially, Wilde's masterpiece, a phenomenal work of satire and mockery, an amusing attack on the landed gentry and the social mores of the time.
Then there was Lady Windermere's Fan and a Woman of No Importance, a clever observation of late 19 the century manners and morals. The dichotomy drawn by the wealthy bourgeoisie and the so called common peasants who lived below stairs was something only Oscar Wilde would have made with such impressive force.
So Oscar Wilde would have been 172 today. To be honest you wouldn't dream of being a considered authority on the subject about everything to do with Wilde. You know that the comedian and hugely intellectually brilliant Stephen Fry once took the role of Oscar Wilde on the cinema silver screen. You also know that Wilde, on his death bed, took one look at the wallpaper and snootily disapproved, allegedly saying that he neither liked the design of the said wallpaper and wished it would be removed as soon as possible.
But the man with the neat cravat, shirt and moody, velvet jacket with what looked like a carnation, lives on in the hearts of his huge appreciation society. Happy Birthday Oscar. Put up your feet in the Garrick Gentleman's club, sip a fragrant brandy in his hand, light a cigar if the fancy takes you and read the Financial Times because those oil companies are bound to be up to no good. What on earth would he have made of Mrs Brown's Boys or the BBC for that matter? Personally something quite objectionable and offensive. But then whoever listened to Oscar Wilde. You apologise for the Mrs Brown's Boys comment but surely you can take a joke. Besides Mrs Brown's Boys has a lovely Irish theme and Wilde adored the Irish.