National Guitar Day.
You've all been waiting with bated breath so let's surprise you. You would have never known what National Day it is so it is time to put you out of your misery. Ladies and Gentleman and for all those musicians who so diligently ply their trade with complete dedication, today is National Guitar Day. Now the chances are that for those who don't play the guitar, it isn't really the most important day of the year. Still, you can come out of your recording studio and enjoy the fruits of this acknowledegment of National Guitar Day.
So where do our thoughts take us when we think of that very recognisable sound of the guitar? Do we think of Tin Pan Alley in Denmark Street, the heart of London's always bustling West End? Or perhaps we might venture into Charing Cross Road where the guitar still takes you back to the age of rock and roll, Lonnie Donegan's skiffle during the 1950s and all of those electric guitars of varying sophistication. Guitars tick all the right boxes because they were the distinctive soundtrack of the late 1950s and 60s in London where pianos, violins and drum kits still sit very impressively next to the guitar.
Back in the early 1950s one man paved the way for a thriving, booming industry, a pioneering figure who today's generation still look back fondly on as the man who started it all, a sparking plug and catalyst for those who just loved writing songs that were simple. They had to be accompanied, though, by guitar solos or a subtle backing track for a song that just seemed so right and totally evocative of the period, maybe reflective love songs that took you right back to that first date in a candle lit restaurant. There was one, though one man and man only who made all the difference in the world of guitars.
His name was Bert Weedon and Weedon was the man who created the magic, a guitarist with the nimblest of fingers, somebody with a natural aptitude for finding new chords and colours within the framework of a guitar driven composition. Weedon quite literally taught the world how to play the guitar with skilful thumbs and joyous freedom. Weedon possessed a natural comfort and dexterity with the plucking plectrum that gripped Britain. None had really captured the essence of guitar playing until Weedon arrived.
And so Weedon gave us his unique masterclass in that magical sound of the guitar. So it was that when Britain entered that seminal and life changing decade known as the Swinging Sixties, an all guitar group leapt into the music pop music consciousness, both owning and revolutionising the way the guitar could be played and would continue to do so for some time.
The Shadows were an all British guitar band who elevated the guitar to a deliciously pleasant level that was choreographed to perfection with those wonderful feet shuffling movements of the Shadows. Both Hank Marvin, Bruce Welsh, Brian Bennett, Jet Harris the bassist and Tony Meehan would lend a polish and an air of finesse to the art of guitar playing. Hank Marvin, with his trademark glasses, would later carve out a film career with Cliff Richard and the Shadows and their appearance in the movie Summer Holiday will remain a treasured memory. Summer Holiday was a jolly and uplifting film about Cliff Richard and the Shads travelling in an old fashioned but classic Red Route Master double decker London bus and just enjoying life.
But the Shadows gave us Apache, the superb Wonderful Land, Sleepwalk and Kon Tiki, smoothly effortless and the kind of music that the teenagers of the late 1950s and early 1960 would take to their park and listen to intently on their transistor radio with a shameless admiration and appreciation of that simple twang of the guitar. And the Shadows certainly knew how to twang their electric guitars because it was their definitive trademark. The Shadows wore sharp suits, smart trousers and were the boys every girl wanted to introduce to their parents. They were clean cut, respectable, knowing instinctively where their music was taking them to.
Then, at the beginning of the 1960s a band from Liverpool called the Beatles stopped everybody in their tracks. John Lennon and Paul McCartney composed most of the Beatles most resonant and poetic lyrics. Lennon and McCartney were tailor made for the guitar, the instrument wrapped around their shoulders and then being held onto with a tenderness that was both moving and electrifying. Lennon and McCartney and Lennon gave the Sergeant Peppers Lonely Hearts Club Band, its quirkiest acoustic and both Yesterday, Hey Jude and the guitar textured Ticket to Ride would become one of many of their greatest hits.
McCartney though as a front line guitarist had so much imagination and invention in his head that you wondered whether you would ever hear anything like it ever again in the future. Lennon was just John Lennon, seemingly too casual and blase about the Beatles phenomenal success and convinced that even the Rolling Stones would have difficulty in matching, emulating and surpassing them. When the Beatles broke up in 1970s, Lennon pursued a solo career, spent a week in bed with Yoko Ono in a shop window, grew his hair to an impossible length, developed a beard and just kept producing song after song of unsurpassable genius.
Burt Bacharach's Something, a George Harrison classic, had those mellifluous guitar backing tracks that Lennon would have given anything to write. But the Beatles kept going through the 1960s because they knew they were pathfinders, discovering key changes in the guitar that few of their contemporaries could ever get the better of. Lennon and McCartney loved the guitar because it was liberating, exciting, energising and just ground breaking.
At around about the same time during the 1960s Eric Clapton, from that wonderfully transformative and creative period of song writers, emerged into the spotlight. Clapton was a brilliant and stylish rock guitarists and Layla somehow defined both Clapton and the way he brought his guitar to life. When Eric Clapton, who joined the band Cream, arrived on the scene, the guitar became like a philosophy, a mantra and slogan that everybody could recognise. There was a vibrancy and vivacity about music during the late 1950s that everybody could dance to in first the coffee bars of Soho and the much wider world.
Twenty years later one of the most dynamic rock bands of all time exploded into a decade that probably hadn't seen them coming. They were genuine rock guitarists who crafted some of the most ingenious lyrics of all time, a group at first glance who were, allegedly, so outrageous, gaudy and garish that it seemed only a matter of a time before burn out would set in and the group would have a limited shelf life. And yet Queen were and still are a breath of fresh air and the critics would have to keep their feelings to themselves.
But Queen were sensational, spectacular, glamorous and fittingly fashionable. Freddie Mercury, Brian May and Roger Taylor, were superlative musicians who embraced the guitar with the relish of youngsters who were determined to follow in their footsteps. We Are the Champions, Seven Seas of Rye, their first single, Radio Ga Ga, A Crazy Thing Called Love and, above all, the remarkable Bohemian Rhapsody dramatically changed the landscape of the rock guitar community.
Brian May, now a distinguished astro physicist, remains one of our most famous and prominent mainstream guitarists. May attacked every Queen song as if his life depended on it. With long, frizzy black hair and electric guitar in his hand, Brian May made his guitar screech, scream and shriek with purpose and conviction. He would hold his guitar up in the air as if it were some birthday present his mum and dad had just given him. Then there the wild, extravagant chord changes, the respectful smiles and glances in Freddie Mercury's direction and Roger Taylor who pounded out the drums with a relentless ferocity.
During the 1970s there was Bread's Guitar Man, George Harrison's While My Guitar Gently Weeps and those gently tranquil Spanish guitar symphonies of sound that made us think of the English countryside, musical streams and wide, expansive acres of meadows, cornfields and late night jazz gatherings. The guitar sound always reminded us of where we were in childhood and then followed us into burgeoning adolescence.
And so today is National Guitar Day. The fact has to be emphasised in much the way the guitar either prompted us to play it playfully or simply at the end of the day with a smooth cappuccino, latte and my lovely and late mum's milky coffee. John Williams and Jeff Lynne's ELO are yet more legendary names from the high society of the guitar world. But if you should happen to have an old guitar in your attic and you're so inclined then this may be the time to express yourself for no other reason than it's the greatest musical instrument of all time. You are the Guitar Man or Woman. Enjoy.